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Retired Intelligence Detective Gary Jenkins brings you the best in mob history through his unique perspective on the mafia. In this episode of Gangland Wire, Gary Jenkins welcomes an unusual guest from the world of organized crime storytelling—cartoonist Brett Juliano, creator of the Dust Bunny Mafia comic series. Instead of traditional books or documentaries, Brett tells real Mafia stories through short, three-panel comics featuring his unique cartoon characters while staying grounded in historical research and documented sources. Brett explains how his lifelong interest in animation and storytelling evolved into a project that blends true crime history with visual humor and commentary. After moving to Chicago, he became fascinated with the city’s underworld history and began transforming real mob stories into illustrated comic strips that challenge Hollywood myths and highlight lesser-known facts about organized crime. His work draws on true crime books, FBI files, court transcripts, and podcasts, including Gangland Wire itself.
Each comic strip distills a real historical moment into a visual gag or ironic twist that reveals the strange reality behind mob legends. Gary and Brett discuss several Dust Bunny Mafia comics and the real events behind them: The “Sicilian Flu” Courtroom Act A humorous look at a tactic sometimes used by mob figures: appearing frail in court to gain sympathy or delay proceedings. Wiseguys who were partying the night before might suddenly appear in a wheelchair, wrapped in blankets or hooked to oxygen tanks when they walked into court.
Lucky Luciano and the Myth of “Lucky” Brett examines the legendary story that Charles “Lucky” Luciano got his nickname after surviving a brutal kidnapping and beating. His comic plays with the idea that mobsters often exaggerated their own legends—especially when trying to impress people. The Kansas City Mob Search – Carl “Tuffy” DeLuna One comic comes directly from Gary Jenkins’ own experience investigating the Kansas City mob. When police searched DeLuna’s home in 1979, the mobster calmly offered coffee and eventually led investigators straight to the basement, where incriminating notes were stored. The scene shows how, sometimes, the truth of organized crime investigations is stranger than fiction.
Bugsy Siegel in Rainy Portland Another comic explores the obscure story of Bugsy Siegel visiting Portland to meet local crime boss Al Winters, only to endure two straight weeks of rain—highlighting the contrast between Hollywood-style mob glamour and the less glamorous reality of underworld negotiations.
A New Graphic Anthology on Kickstarter Brett is now launching a major new collection of his comics titled: “Family Business: An Offer You Can’t Refuse.” The book will include: 130+ pages of full-color comics More than 230 true crime strips Historical commentary explaining the real story behind each comic Additional artwork parodying mob businesses and underworld culture The project will be funded through a Kickstarter campaign beginning March 24, with the finished book expected to ship later in the year once printing is completed. Click here for 👉 Kickstarter Campaign:
Where to Find Brett Juliano You can explore Brett’s comics, books, and merchandise here: Dust Bunny Mafia Website: Online Store:
Brett also shares his comics across social media platforms including Instagram, Threads, and Facebook groups focused on organized crime history. For fans of Mafia history, Dust Bunny Mafia offers a refreshing twist—true crime storytelling through comics that balance humor with serious historical research. As Gary notes during the interview, separating myth from reality is essential in mob history, and Brett’s work uses a creative medium to do exactly that.
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Transcript
[00:00:00] hey, are you Wire tappers? Gary Jenkins back here in the studio of Gangland Wire. I’m a retired Kansas City Police Intelligence unit detective and, I investigated the Mafia and I’m still working on the Mafia only. We work on mafia history now, and I have a kind of unusual, different sort of a story today.
I have a man who has been doing. Cartoons based on real mob stories, but he has his own little cartoon characters. It’s called Dust Bunny Mafia. If you’re on my gangland Wire podcast group, you might’ve seen that, and he’s on other places in social media. So welcome Brett Juliano. Welcome Brett.
Thanks, Gary. Thanks for having me on. All right, cool. Guys, let me, I’m just gonna give you a little taste of what this looks like. It’s when I first saw it. That, that’s interesting. I appreciate a, a different way of doing these kinds of things. All right. That should be, there you go.
All right. There you go. There’s which one was that? That was the Sicilian flu. Brett tell the guys a little bit about, what got you [00:01:00] into this and then we’ll talk about each one of these images that you sent me. Yeah, so I’ve been doing comics and the Dust Bunny mafia for over a dozen years.
Long story short, I wanted to be a animator when I was, young. And then as I grew up, I always loved the idea of telling stories through visual form. And then after moving out to Chicago about 10 years ago, I really wanted to connect with the principle of the local history of the Chicago Underworld and retell it through my Dust Bunny Mafia Comex.
I try and. Do it in a way in which the I try to break the myths of Hollywood and a lot of things. I try and get my, research through primary sources. So I’ll, listen to True Crime podcasts like yours. I have a huge collection at home of True Crime books, looking through FBI files, court transcripts, things like that.
And [00:02:00] I just want to. Find ways to compose those things into three panel comics that kind of address myths and other, aspects of the mafia. So I know you, you came to the Mob Con out in Las Vegas and had a whole display of different things. So you even have a whole little a book too, don’t you?
Or you’ve got one or more books that are a little bit longer than just a one three panel? Yes. Yeah, I’ve got, with the Dust Bunny Mafia comic. Overall I am, I’ve done about 10 books total. Okay. I’ve got three big graphic novel trade collections, and then, as you’re aware, the little based on true story booklets like these ones, like where these scripts come in, I now am collecting that into a larger anthology collection that’s gonna be 132 page full color that has over 200.
About 230 individual strips with the commentary. Do you have a website or how do people [00:03:00] get hold of you if they’d want to get some of this? Yeah, you can find me comics dot dust bunny mafia.com or Dust Bunny mafia dot Big Cartel is the online store and I ship everything out myself. I’ve done a bunch of crowdfunding campaigns, over 20 of them, and I’ve shipped all over the world with my comics and basically searched Dust Bunny Mafia.
I’m on. Like you mentioned earlier, a lot of the Facebook groups, I’m on Instagram, threads X, all the all the social platforms and I’ll guys, I’ll have a link to his website in the in the show notes. Brett, tell us a little bit about this one. This is the or I’ve got the Sicilian flu.
Tell us about this story here. What’s the real story here? So that story comes that strip is based on an interview with Joaquin Phoenix, Joaquin Garcia, excuse me who was known as Jack. And [00:04:00] he was interviewed, I believe on the Before the Lights podcast with Tommy Canal. And he was telling a story about Greg De Palma going to court one day and while he was being, while he was being, deposed and brought in for questioning. Basically it’s addressing the myth of the actions and the over exaggerations that mob officers will do to tie things up or misdirect. So he was talking about how. The wise guys will be out eating and drinking, partying, at night or on the weekends.
And then they’ll come to court in a wheelchair, maybe have a blanket. Some of ’em will even throw, have a little oxygen tank and, just the absurdity of things that they will, the lengths they will go to to try and misdirect or hope things up. Interesting. Yeah, that’s a common kind of a deal that more not just mobsters do that.
There’s other criminals have done that too. I’ve seen that myself. So let’s talk about [00:05:00] two is
let be a lady. Get that one up there. All right. What’s the story of luck? Be a lady. So luck Be a lady is talking about the myth of Charles Luck, Luciano’s nickname of Lucky. Yes. And about, how it was one night, one kidnapping that, where he got the scar and the people dragged him into, Staten Island.
They. Speed him overnight, tortured him, set him free, and then that’s how it was, that one event is what made him or gave him the nickname. Lucky. When in actuality what I’m paring here is that, he’s trying to impress girls in my comic and, with each drink and stuff, he adds more myth and more legend to the nickname.
And. I believe, the event happened. I’m not trying to discredit that. I just [00:06:00] think he, and I’ve seen sources say that he had the nickname long before the beating and like the one night, event. And it wasn’t that instance that gave him the nickname Lucky. Interesting. I never thought about that, what I always thought.
I think that was I think he reported that himself in that book that he wrote with another author. I think that’s where that story came from. I’m not sure but I always figured he probably had some coppers tuned him up and, but he had to make it into a much better story and make himself much tougher.
Yeah, of course. And they would do that back in those days. They’d tune your ass up bad.
All right. Let’s see. Now we got,
oh, I know this one.
Show me the way I. So this one is based on your account? Yeah, that’s so it’s talking about Carl Tuffy de Luna’s home being searched after Valentine’s Day or around Valentine’s Day [00:07:00] in 1979, where the Kansas City Police department and the FBI. Executed a, search warrant on his house.
And so I set it up very cordial in which, my detectives are, being served coffee and then. The line that I loved most from the book was basically where he is like, all right, you might as well come into the basement. That’s where you’ll find the good stuff. And he’s, leading them around the property and everything saying, if you wanna find this, here’s where you’re gonna get this.
Almost like it was a art collector or, someone’s showing off a house. And so it’s one of those instances where, the truth is stranger that fiction. And so I was like. Once I saw that, I’m like, okay, I can translate this into a comic and, reach a broader audience. Yeah. Really?
Yeah. It’s I’ll never forget, I, he tells his wife, says, Sandy said, fix these officers a pot of coffee. So she was visibly making coffee and he was kind, he would [00:08:00] follow ’em around a little bit. Point stuff out. They went and they come up from downstairs. They brought two or three guns up from upstairs, downstairs hey, tough.
Where’d you get this? And then, it was getting like midnight or something and it was like, we are gonna be there. And we were there in the end, almost till four in the morning. And I, and it’s one agent, Shay Airy. He is dead now, but he was a long time mob. Investigator goes back to, to when they first formed the top hoodlum squad in Kansas City.
And so he knew Tuffy pretty well. They were familiar with each other. And finally Tuffy says, Shay, you might as well come on downstairs. That’s where the good stuff is. I remember thinking, oh my God. And that’s where they found all the notes that he’d been keeping. See, he knew that was good stuff.
He knew the importance of those notes and a little additional story on those notes. The next day or two, he’s meeting with some of these other guys with Joe Ragusa and Charlie Moretina in a restaurant, and they’ve got a bug on this table where they’re at. And he said, here’s what he says. He says, I got caught with a [00:09:00] bunch of shit.
He said, I had it on the bag and I was gonna throw it away but man, they, I just didn’t get to the trashing time and I didn’t get it thrown away. He wasn’t got thrown away. He was just one of these guys that kept everything. And and that bunch of shit that he was talking about with those, those notes the infamous notes.
All right, let’s see here. I’ll try.
This is on a counter rain.
Okay, there we go. So this is on a counter rain. So tell me the story on this one. I’m not sure. So this comes from a local myth about Portland, Oregon. And so I’ve got my Bugsy Siegel Ben Siegel character, and then he’s meeting with Al Winters, who was the local boss of kind of crime boss in the area.
And apparently the story set goes that Ben Siegel visited him. And he spent two weeks in Portland trying to find a way for them to [00:10:00] work together to open up a gambling casino or something. And the, over the two weeks, it didn’t rain. It didn’t stop raining every single day that Bugsy was there.
It, didn’t, it didn’t let up. And so he the idea is that, we don’t have any real good accounts on whether this did or didn’t happen. There’s very little known about, the Portland crime family and those things. There’s only a couple books been written as far as my knowledge.
And but it’s just playing with the fact that, the Pacific Northwest and Portland is rainy for a long time, and a mobster who’s more, affiliated with Hollywood and Las Vegas and sunny Southern California, Portland would be a nightmare. Yeah. Really?
Yeah. Yeah. And you must have talked to Casey McBride on that one. Our friend Casey McBride from Portland. And ’cause he talked a lot, he’s talked a lot [00:11:00] about Al Winter and he was like the, I think started during prohibition and the crime boss of Portland. If you think of Portland having a crime bus.
And it wouldn’t make sense if if he was gonna do anything outside of Portland and even in, even if he had, was making any money. Why, buggy Siegel, he felt like he was a West Coast boss. I got a feeling and anything that happened on the West coast and he heard about it, he probably would be coming around wanting to get a little piece of that action.
That’s how they are. They hear you’re getting some kind of criminal action that’s organized and steady and regular. They’re gonna come around, try to get a piece of it. So I would imagine that’s what he was up there doing. And there’s no doubt Al Winter was the. Erstwhile crime boss and we had a guy from ended up in Kansas City, came through Kansas City.
He had a relative here named Joe Augusto, who ended up in Las Vegas. But he went to Portland for a while. He was, and he was a Sicilian and he had different scams going. We’d never heard of him when he appeared in Las Vegas, but he ended up [00:12:00] catching a case up there in neither Washington State or Oregon, I can’t remember which one now for some kind of a scam.
He was running. He came back down and he got in with the people at the Tropicana and Joe Agosto Somehow I know how he did it. He, and he was connected to Nick Ella here in Kansas City, and he used, he parlayed that connection. With the people that owned the Tropicana, there was several partners in that.
And they wanted a big loan to, to amp up the Tropicana, to keep up with the other expansion of the other casinos, and they needed to get this big loan. It’s hard to get loans for casinos, regular banks back then, regular banks would not make loans, but the Teamsters Union would. And so he parlayed his connection with Nick Novella.
Claiming, promising that they would get a big Teamsters loan. And then N Novella made sure they didn’t get it for a while as he kept working his way in and getting more employees that he, that owed him into places and then they started to skim. And that’s that’s a little [00:13:00] Kansas City connection to the northwest part of the United States.
Yeah. Interesting. Tell us a little more about it. What do you got planned now? You’re putting those little three, three panel true crime ones into will you organize it by family or how will you do that? Yeah, so I’ve got so the collection’s called family Business. An offer you can’t refuse.
And it’s going to be crowdfunded via Kickstarter starting on March 24th and run through mid-April. I expect the book to be then available for public demand in June or July of this year. ‘Cause it takes a little time to print everything. But yeah, I’ve got it organized roughly into like geographic area.
So I start with Chicago and then I, for the most part will go chronologically. So I’ll find, oh, I see. The strips about Johnny Torrio and Al Capone, and then move up, through the years until you’re talking about Ian Kana, Antonio Caro, and things like that. And that’ll hit each of the [00:14:00] kind of big regions.
So I’ve got everything from, chicago in the Midwest, and then I’ll go into down to Cincinnati and hit things on and Newport, Kentucky during prohibition where George Remus and some of the Cleveland Syndicate started gambling dens and things like that. And then I move into New York and do the same thing.
But I’ve got. I’ve been working on these comics for this is the seventh year that I’ve been doing these True Story comics, so I’m gonna have over two hundred and thirty, two thirty five in this collection. And then Eve’s Comic has a little blurb, a small paragraph, explaining the true life story that inspired the comics.
And so throughout the book it’s gonna be two to four comics on a page or in a spread. And then there’s gonna be different different kind of segues in between in which I’ll have some of the graphic design work [00:15:00] that I’ve done to parody mafia businesses, like ante cigars based on Carmine ante if he had a cigar shop.
And I’ll do things like that. And so I’ll have like little interludes or kind of chapter breaks. Between different stories and which I’ll also explain some, give some context for, the casual true crime fans, and you had t-shirts with ante cigar shops and different things like that too, don’t you?
Yep. You had those made up for as gifts or what as rewards for your crowd crowdsourcing thing. ’cause I think I’ve got one of those ante cigar shop t-shirts or I used to, I, it’s around here somewhere. I don’t know, sometimes I run through t-shirts and I get some many and I just start getting rid of ’em and starting over again.
Oh yeah. I’ve got, I try and get one for each of the campaigns that I run. And and when I do that, I’ve now got a huge stack and I’m like, yeah. Yeah. And it’s just ’cause I want to test the quality, make sure I have good. Product for my backers, and then I’m like, I don’t really [00:16:00] need another T-shirt, but I’m gonna offer ’em.
I first started in this first movie I made up a whole bunch of t-shirts. I bought 300 t-shirts that gang land wire, and I think I’m, this is eight or nine years later and I’m down to one or two left of the original t-shirts. Then I discovered print on demand that Printful that you told me about.
And so now I just print ’em, I get one done at a time. Yep. For my gang led Wired, I don’t really try to do any other t-shirts. I don’t know. It’s sometimes it’s like you just, it gets so spread, so thin, doing different things that I run outta time myself. Yeah. Now, are these books or are they just the graphic novels, or are they just available off your website, or do you have some of ’em up on Amazon or places like that?
Yeah, so Meet the Family. My first dust Bunny Mafia graphic novel is on Amazon. And then the rest of ’em are on my website or on Kickstarter. [00:17:00] When I have the campaigns going, I’ll usually have different add-ons that people can, pledge for to get all the books or the different, like mobster playing cards that I’ve done, things like that.
Interesting. Interesting. All right, Brett Juliano, I really appreciate you coming on here and we will get this up and guys if you’re interested in this, get hold of old Brett. I’ll have the contact information. He he’ll be glad to, to ship you out some stuff and he needs, I, I appreciate anybody that does he does, Brett does everything.
Characters are not real, but the stories are real. So I appreciate anybody that bases anything on the real stories ’cause there’s so much myth out there and so much bullshit that that, so I appreciate that you do that, Brett. Thank you Gary. That means a lot. Okay. All right, Brett. Good talking to you.
Yeah, thanks for having me on. Okay. All right, Brett. I’ll I don’t know next week or two, maybe I’ll go ahead and slide this up there. [00:18:00] No, I appreciate it. I’ll send you a link. I’ll send you a link whenever we, I get it up there. Sounds great. Thanks Gary. Okay. Alright. Bye. Bye.